Making Drum & Bass Tracks

As the production standards in drum and bass have been raised to a near occasional basis, it has relatively affected the learning curve. Even producers who originally had no interest whatsoever to the genre will often pause for a moment and marvel in awe as they listen to the intricacy and density of the contemporary drum and bass productions. The combination of drum and bass has a notably unique sound and it emphasizes on various aspects of the combination to other music genres so that even producers working in other forms of electronic music can work on to accomplish that drum and bass feel. If you are new to the combination of these two instruments or are planning to create the best drum and bass track, here are 5 tips you should keep in mind at all times when making your own drum and base sample.

First and foremost, layering fragmented break beats is an ideal method to obtain that original drum and bass sound. For a tight and contemporary audio output, place each hits end point prior the succeeding drum sound is performed. Simply leave the endpoint at the edge of the samples to make it simpler and easier to operate jungle-like beats, yet you will either have to adjust the tunes or time it perfectly to guarantee that it plays in the appropriate tempo.

Next, remember that one of the main benefits of utilising tightly condensed beats is that you can effortlessly pitch curve your drum components up and down without it having to go out of beat. This strategy can be utilised to produce impressive percussion results. For the best possible outcome, try to mix this strategy with any other type of processing like degrading effects or filtering.

Third, if you are aiming for those liquid funk sounds, a household organ bass always fits the job. You can create your personalised one by means of sine, pulse or triangle waves low-pass filtered until you manage to get several harmonics poking within. Try to de-tune one oscillator and adjust it seven semitones up for a useful fifth that can definitely bring you back into your old-school moments and reminisce the good old days.

Fourth, a good technique to maintain the energy levels up on a switch is to promote a kick drum roll below the main beat. Variations can be added to bass riffs by means of regulating the LFO speed or surround amount by means of key-following, for example, the greater the notes that are played on the keyboard, the faster the LFO oscillates or the more envelope is adapted to the filtration cut-offs. Try to put variation amounts of one or multiple of these bass flutters.

Lastly, with the use of a diversity of layered rerun break beats, one can rapidly create a complex rhythm drum and base sample track. The trick here is to make it sound like a single cohesive component that cultivates and builds up instead of multiple different components all fighting for the space.

Mastering Studios

Mastering Studios: Are they necessary? Mastering music is often a confusing and mysterious process to musicians, bands and solo artists. This article is part of a series designed to help artists, bands and musicians save time and money in the recording studio. In this article we’ll talk about an important question which if you’re not asking you should ask, and that is “Do I need to get my song mastered?” In a nutshell, the answer to this question is a definite “YES!” Professional mastering is the final stage in the music production process and will ensure you get a truly professional product that will translate on a wide variety of playback system. This means that whether your intention is to put your song online, on the radio, on CD, or any other medium, you will have an optimally good sounding piece of music. And the expectation nowadays with all the technology available is that you will have a professionally finished, mastered product to deliver to all these different formats.

Simply put, it is one of the costs of doing business in this industry of professional music. It’s very important to get your song mastered and look into that process. It can be an inexpensive and quick process that you should not be intimidated by if you do your research and make the right choices. A lot of people are intimidated because they don’t truly understand what mastering does. Another important point to bring up is that you MUST have a professionally MIXED song before you decide to get mastered or your product won’t sound the best it possibly can.

There is a lot of confusion around the two subjects and often people get mixed up with the processes of mixing and mastering. You must also seek out a good mix engineer to make sure your song is as good as it possibly can be before you go to the mastering studio. It does not matter if your song is mastered if it isn’t mixed properly first. The mix is truly where a raw recording gets polished and turned into a professional piece of music. Mastering then takes it up another level to make a great sounding song superb. Mixing and mastering is truly the “secret” to getting your music to sound like other major artists in the industry. Do NOT neglect or overlook these steps of the music production workflow.

How To Compose Music In 3 Parts

As beautiful as it is, music is simply a language. And like every language, whether that be a real human language or computer programming, music can also be learned and has various degrees of proficiency. Music like a language also has structures, grammars, and patterns that constitute the more sophisticated and eloquent sounds that capture our imagination (much like the French or Italian tongue does!).

To compose your own music, there are 3 parts that you must understand. Music consists of:

1. Rhythm. Spoken words have a natural rhythm and cadence to them, and I believe it’s music that imitates this organic movement and not vice versa. Rhythm is the part of music that is determined by the tempo and makes up the groove of the song. The rhythm gives music the beat of the song. Examples of rhythm patterns are the back beat drum pattern (often used in rock music, where the snare hits on the 2 and 4 downbeat of every bar) and the four on the floor pattern (often used in jazz, blues, and dance music where the kick drum hits on every downbeat). Rhythm guitars are called so because they usually play along to the rhythm of the drum, strengthening the beat of the song using strummed chord patterns.

2. Harmony. Speaking of chord patterns, the next part of music is harmony – or more commonly called the chord progression. The chord progression determines the mood and atmosphere of the song: major chord progressions tend to give strong and happy emotions, while minor chord progressions are often melancholic and sad. A good song combines these two major and minor chord progressions and contrasts them to give life to the rhythm and lyrics. Example of a chord progression during a chorus could be: F C G Am (played in the key of C).

3. Melody. To compose music, you either start with the harmony first or you could make a melody before it. A melody is best described as: the part of the song that you whistle to after you hear it! That’s the melody – the part that people should remember after they’ve heard the song. To create a catchy melody is a rigorous study on it’s own, but suffice to say that catchy melodies win hearts big time! The melody is the way the lyrics are sung, or the lead instrument in a concerto piece.

These are the 3 major steps in composing music. Hopefully this article helps you to understand the musical language better.

To your musical proficiency, ImixFM