Making Drum & Bass Tracks

As the production standards in drum and bass have been raised to a near occasional basis, it has relatively affected the learning curve. Even producers who originally had no interest whatsoever to the genre will often pause for a moment and marvel in awe as they listen to the intricacy and density of the contemporary drum and bass productions. The combination of drum and bass has a notably unique sound and it emphasizes on various aspects of the combination to other music genres so that even producers working in other forms of electronic music can work on to accomplish that drum and bass feel. If you are new to the combination of these two instruments or are planning to create the best drum and bass track, here are 5 tips you should keep in mind at all times when making your own drum and base sample.

First and foremost, layering fragmented break beats is an ideal method to obtain that original drum and bass sound. For a tight and contemporary audio output, place each hits end point prior the succeeding drum sound is performed. Simply leave the endpoint at the edge of the samples to make it simpler and easier to operate jungle-like beats, yet you will either have to adjust the tunes or time it perfectly to guarantee that it plays in the appropriate tempo.

Next, remember that one of the main benefits of utilising tightly condensed beats is that you can effortlessly pitch curve your drum components up and down without it having to go out of beat. This strategy can be utilised to produce impressive percussion results. For the best possible outcome, try to mix this strategy with any other type of processing like degrading effects or filtering.

Third, if you are aiming for those liquid funk sounds, a household organ bass always fits the job. You can create your personalised one by means of sine, pulse or triangle waves low-pass filtered until you manage to get several harmonics poking within. Try to de-tune one oscillator and adjust it seven semitones up for a useful fifth that can definitely bring you back into your old-school moments and reminisce the good old days.

Fourth, a good technique to maintain the energy levels up on a switch is to promote a kick drum roll below the main beat. Variations can be added to bass riffs by means of regulating the LFO speed or surround amount by means of key-following, for example, the greater the notes that are played on the keyboard, the faster the LFO oscillates or the more envelope is adapted to the filtration cut-offs. Try to put variation amounts of one or multiple of these bass flutters.

Lastly, with the use of a diversity of layered rerun break beats, one can rapidly create a complex rhythm drum and base sample track. The trick here is to make it sound like a single cohesive component that cultivates and builds up instead of multiple different components all fighting for the space.

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